Riot City BluesOn 2006's RIOT CITY BLUES, the revered U. K. alternative rock band Primal Scream acts as if its late 1990s early 2000s foray into electronica was nothing but a vivid dream, opting instead to pick up where '94's Stones worshiping GIVE OUT BUT DON'T GIVE UP left off. With production handled by former Killing Joke bassist Youth and violinist Warren Ellis, a frequent Nick Cave foil, on board for several tracks, it's not surprising that the album often has
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On 2006's RIOT CITY BLUES, the revered U.K. alternative-rock band Primal Scream acts as if its late-1990s/early-2000s foray into electronica was nothing but a vivid dream, opting instead to pick up where '94's Stones-worshiping GIVE OUT BUT DON'T GIVE UP left off. With production handled by former Killing Joke bassist Youth and violinist Warren Ellis, a frequent Nick Cave foil, on board for several tracks, it's not surprising that the album often has a moody, angular sound (see the brooding "Little Death"), but frontman Bobby Gillespie's love of '70s glam and pub rock looms even larger, as on the searing Bowie-indebted "Suicide Sally & Johnny Guitar." Though it may perplex many fans, RIOT CITY BLUES is a fun tour through rock history, as seen through Gillespie's proudly blurry vision.