Expressing their exuberance and triumph in the print Mishima Pass in Kai Province, Hokusai, depicted joyous three travellers who had reached the ancient site of the cryptomeria tree and embrace its enormous trunk. Hokusai reveals his empathy for pilgrims by painting small persons embracing the massive trunk of the tree.

Mishima Pass is believed to be around the present Kagosaka Pass. From the print other travellers are resting after the long tiring journey while others are embracing the enormous tree trunk. The rugged bark of the trees expresses the fact that it was an old monumental tree. Mount Fuji is seen on the solid clouds on the heads and lower sides. The Ukiyo-e style on this woodblock has employed the gradation of three colours in an artistic manner.

Katsushika Hokusai was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji (富嶽三十六景 Fugaku Sanjūroku-kei, c. 1831) which includes the internationally iconic print, The Great Wave off Kanagawa.

Hokusai created the "Thirty-Six Views" both as a response to a domestic travel boom and as part of a personal obsession with Mount Fuji. It was this series, specifically The Great Wave print and Fine Wind, Clear Morning, that secured Hokusai’s fame both in Japan and overseas. As historian Richard Lane concludes, "Indeed, if there is one work that made Hokusai's name, both in Japan and abroad, it must be this monumental print-series". While Hokusai's work prior to this series is certainly important, it was not until this series that he gained broad recognition.

All prints are made using archival art stocks and UV pigment inks to give up to 200 years life. Choose from unframed, framed and mounted and canvas panel options.